|
Small
musician, big gong
Plans
and Vision | Progress Report (2)
| Progress Report (3)
Progress Report (4)
| Resources | Workshops
Balinese Gamelan Angklung Project
| Image Galleries

Ongoing Progress Report (1)
Spring 1999
Selection of three schools for a pilot project: Paradise Hills
Elementary, a city school in south San Diego; Murdock Elementary
in East County, and Richland School in North County. The areas
chosen were South Asia (Odissi dance of India), Southeast Asia
(Balinese Gamelan Angklung), and Africa (Ghanaian music and dance).
Robert Brown volunteered as Acting Project Director, and board
members Susan Bernstein (Bali) and Lewis Peterman (Africa), along
with Vasanthi Shenoy (India) volunteered to be Cultural Area Representatives.
Principal teachers were Manoranjan Pradhan (India), Randolph Griswold
(Bali), John Flood and Emmalyne Moreno (Africa). Site liaisons
were chosen from each school, and the three hands-on projects
were launched with assembly programs to acquaint all students
and teachers with the new study possibilities, followed by a series
of approximately eight hands-on sessions, and combined with several
cultural workshops for the teachers.
March 6, 1999
A workshop held at San Diego State University brought together
13 teachers and principals from 8 schools for a presentation of
plans for the ongoing program, a question and answer session,
and a hands on experience with Ghanaian dance and a Javanese gamelan
orchestra. Robert Brown and MaryEllen OMalley represented
the Center and County Office of Education, while Lewis Peterman,
Vasanthi Shenoy, Randolph Griswold, John Flood and Emmalyne Moreno
represented the current program in the schools and offered the
sessions in dance and music. It was decided to try and hold other
such workshops in the future. An idea was also set in motion to
try and provide a range of program possibilities for schools which
could not be included in the small number that will receive full
funding.
Summer 1999
As an important component of teacher training in the process
of cross-cultural study the Center offered its biannual field
workshop in Bali with special classes for teachers and limited
partial subsidies for San Diego participants in the World Music
in the Schools project. Political unrest in Indonesia limited
teacher participation, but Bali remained calm and the summer workshop
was held for advanced students of gamelan from San Diego, some
of whom will be involved as teachers in the schools program.
One principal (Carl Hermanns of the Museum School) ordered a gamelan
angklung for use in his school, and the instruments were custom
made in Bali and shipped to San Diego.
Spring 2000
A full-scale "Arts of Bali" program got underway at
the The Museum School,
a charter school in downtown San Diego, with participation by
the Center's Year 2000 Artists in Residence
from Bali, Nyoman Sumandhi and his wife, Putu Sutiati. They
were assisted by musicians Kaori Okado, who is also trained in
Balinese dance, and Alex Khalil. Dr. Robert E. Brown, president
of the Center, gave regular presentations on culture in the classroom.
The children all had gamelan angklung music classes twice a week,
and for all four days of the weekly program there were short cultural
presentations with videos, mask and puppetry demonstrations, textiles
to handle, spices to smell, and Indonesia food to taste.
(See image gallery.)
 |
| Museum
School gamelan class |
For the last three weeks of the program, the school--a charter
school with changing cultural emphasis in its curriculum--focussed
on many aspects of Balinese life and performing arts, culminating
in a festival to which all parents were invited.
To share its resources with other schools, the Center devised
a special Ramayana schools performance,
a presentation of the Ramayana epic, with narration of
the story and illustrations of the main characters and scenes
in both dance and shadow theater format, the whole accompanied
by live Balinese music. This assembly program was made available
through Young Audiences of
San Diego.
Spring
and Fall 2001
Taking advantage of the momentum from previous year, in
2001 the Gamelan program in the Museum School was expanded to
include Javanese gamelan as well as Balinese. Each of the school's
80 students studied gamelan and dance for 2 hours a week. A new
after school gamelan club was formed in which the most enthusiastic
children could continue their studies of gamelan for another 2-4
hours a week. This made it possible for them to reach a high enough
level to perform on stage. They learned many pieces and participated
in several performances including Asian Story Theater's "Sundance"
and "3 Dragons" productions. They also performed at Bravo San
Diego.
A Japanese music program was started at the Museum School. Kaori
Okado and Alex Khalil taught them shakuhachi (the bamboo flute).
Each child was given a length of PVC pipe which they helped make
into a flute.. Finger holes were drilled one by one after the
students had learned the fingering and notation symbol for the
previous hole. The children caught on quickly and were soon able
to read and write the Japanese character-based notation. At the
end of the program children were asked to learn a test piece.
Those who played it received actual bamboo shakuhachi. The top
two players were given high-quality shakuhachi made by Monty Levenson,
a shakuhachi maker in Northern California.
|