KUSI TV Visits CWM Schools Program Classroom

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Teaching artist Silvio Diaz was happy to have a visit from a KUSI TV crew during a recent CWM World Music in the Schools percussion class at Balboa Elementary School. Stefanie Schmitz, our program director, was on hand to chat with KUSI’s Allie Wagner about what was going on.

Through a generous grant from the California Arts Council, the nonprofit VAPA Foundation has provided funding for 7 such World Music residencies in San Diego. All are specifically aimed at schools in underserved communities with high Latino and Hispanic populations.

Here’s the video, which aired on April 26:

Read a related article from our friends at the Times of San Diego.

CWM Teaching Artist

San Diego 4th Graders Take Musical Journey

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The Times of San Diego has a nice write-up this week on our World Music in the Schools program and the State and local partners whose help is so much appreciated:

With support from a California Arts Council education program that places artists in schools, the VAPA Foundation and the Center for World Music has provided support to give each fourth-grade class 12 visits from a teaching artist.

Students will sing, play instruments, use music vocabulary, collaborate with their peers and analyze auditory examples as they explore the geography, history, culture, language and traditions of Mexico, Cuba and/or Brazil.

Read the full article on the Times of San Diego website.

View a KUSI TV report on this same program.

Preserving Cultural Heritage Through Drumming: Teaching Artist Monette Marino

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Monette Marino is an accomplished percussionist, well-versed in several drumming traditions from around the world, including those of West Africa (Guinea and Mali), Cuba, Brazil, and Korea. She has studied with a multitude of revered master teachers, including Malian drummer Yaya Diallo, Korean drummer Kim Duk Soo, and particularly Guinean Master drummer Mamady Keïta.

Monette has performed globally for decades with elite folkloric drum and dance ensembles, including Mamady Keïta’s Sewa Kan, Sabougnouma GPS, Les Amazones, Omo Aché, Afrekete, Zinco, and Sol e Mar. Additionally, she has performed in the popular music arena with many notable local musicians as well as international stars. Appearing on American Idol and The Voice, she has played everything from jazz to salsa, samba, reggae, funk, disco, soul, R&B, rock, and even country music.

Monette continues to explore many drumming traditions and disciplines from around the world. She has a deep respect for the cultural heritage preserved and passed on through the language of the drum.

In addition to her robust performance career, Monette is a sought-after teacher. In 1995 she founded Baraka International Arts, since renamed the MO’RHYTHM School of Percussion. A non-profit organization, the school fosters participation in traditional West African drumming and dance, and seeks to preserve and transmit the Mandingue musical tradition, as a way of promoting tolerance, understanding, equality, and international peace.

Monette has extensive experience teaching West African djembe drumming in both private and group lessons to students young and old. In her World Music in the Schools drumming classes, students are inspired to take risks and express themselves. A patient and amiable instructor, Monette is passionate about bringing people together through music and seeing them smile.

Andrew Acquista’s Lifelong Rhythmic Journey

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Drumming for dance classes while a student at Humbolt State University inspired Andrew Acquista to pursue a lifelong journey into world music and percussion. Born in Brooklyn, New York, and a musician since the age of five, Andrew’s rhythmic journey has taken him from developing his skills on the distinctly American drum set to delving deeply into the percussion instruments of Africa, Brazil, Cuba, and the Caribbean. Nowadays, he shares his passion for performance and education with audiences and students all over Southern California.

While earning dual Bachelor of Music degrees in performance and education at Humboldt State, Andrew studied world music concepts with Dr. Eugene Novotney. Through him, Andrew met world-renowned griot and master drummer CK Ladzekpo. Ladzekpo’s lessons in the cornerstone concepts of African music captivated Andrew. Moreover, they provided him with the tools he would need to decipher any type of music in the coming years. Andrew went on to further his musical education with a masters degree in music performance from the Bob Cole Conservatory of Music at Long Beach State.

In 2022, thanks to his longtime teacher and friend, West African master drummer Dramane Kone, Andrew was invited to perform live on stage at the LA Forum  with Latin rock supergroup Maná in four sold-out performances. He was also featured performing percussion and mbira for the soundtrack of the movie “Black Panther” in 2017.

In Andrew’s high-energy World Music in the Schools drumming classes, students learn the history and background of the music, and are inspired to come together as a community to play West African and Brazilian rhythms with their hearts and souls.

Teaching Artist Matthew Clough-Hunter

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The Center for World Music is delighted to profile World Music in the Schools teaching artist Matthew Clough-Hunter.

Matthew Clough-Hunter is a Los Angeles-based performer, composer, and educator who specializes in several Balinese gamelan traditions including angklung, gong kebyar, gendèr wayang, gambuh, kecak, and gamut. He is a member of several gamelan ensembles based in Southern California: Burat Wangi, a community-based gamelan at CalArts directed by I Nyoman Wenten; Merdu Kumala, a community-based gamelan founded by Hirotaka Inuzuka and directed by Matthew that teaches gamelan workshops and performs throughout the country; Giri Kusuma, a gong kebyar ensemble affiliated with Pomona College; and Sekaa Gambuh, an ensemble that specializes in an ancient repertoire played with meter-long bamboo flutes.

Recently, Matthew taught gamelan at Opus 6 (a summer camp program organized by the Santa Monica Youth Orchestra), participated in Performing Indonesia at the Smithsonian Institute in Washington D.C., and performed with renowned Indonesian guitarist Balawan.

Matthew earned an MFA from California Institute of the Arts in World Music with a focus on Indonesian music and composition, and a BFA from Denison University in Music Performance on jazz guitar. Outside of his work in the realm of gamelan, Matthew enjoys songwriting and performing. His songs can be found under the artist name “Cloudhopper” on streaming sites such as Spotify. Music composition, performance, and education are among the strongest driving forces in Matthew’s life, and he feels “so happy when [he] can excite someone about the possibilities of their input in music.”

Matthew Clough-Hunter and Hirotaka Inuzuka performing gender wayang

Gamelan Merdu Kumala performing at the 2022 Balinese Gamelan Festival in Colorado

Idrissa Bangoura: Drumming, Song, and Movement from Guinea

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Idrissa Bangoura was born in the Mande region of Guinea and is part of the Susu culture group of West Africa. He speaks Susu, French, and English. Coming from a family of performers, he first learned djembe drumming from his two older brothers, Bengaly and Mohamed. The latter were both soloists for the Ballet Africain de Guinée, based in Conakry, the capital of Guinea. From them, Idrissa learned about proper playing techniques, drum repair, and goat-skin drum head replacement. They also introduced him to the traditional rhythms of Guinea and gave him the knowledge, techniques, and insight necessary to truly enjoy playing the djembe, among the most sophisticated rhythm instruments of Africa. 

In addition to being a skillful percussionist, Idrissa is an accomplished athlete and acrobat, formally trained at the Keita Fodeba Centre for Acrobatic Arts, also located in Conakry. He has worked as an instructor, performing artist, dancer, and acrobat, and has toured with the prestigious Montreal, Canada-based equestrian performing company Cavalia in their show Odysseo, which highlights a diverse cast of acrobats, aerialists, riders, and horses from all over the world.

Based in San Diego since 2017, Idrissa teaches acrobatic arts to children and frequently performs with the Fern Street Circus, a local community circus for underserved youth. In the fall of 2021, he joined the CWM’s World Music in the Schools program as a distinguished teaching artist. Students at the Monarch School in San Diego’s Barrio Logan neighborhood and at Bird Rock Elementary in La Jolla have been happily immersed in traditional djembe drumming, song, and movement under Idrissa’s able guidance. The Monarch School program is being funded by the Jason Mraz Foundation and Macy’s Foundation.

Because of his diverse training and performance background, Idrissa is able to incorporate aspects of song, movement, dance, and instrumental music performance that offer students in our World Music in the Schools program a view of the culture and the language of the Susu people of Guinea. Idrissa’s passion for teaching is driven by the excitement his students express in learning about cultural traditions and the history of his native country. 

We are delighted and proud to have Idrissa Bangoura on our roster of distinguished teaching artists.

Learn more on Idrissa Bangoura’s website.  Here’s a YouTube video of Idrissa and daughter Adama performing for the San Diego Unified School District and the Fern Street Circus.

Kaylie Kirby: A Full Circle Experience

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Student Kaylie in Museum School class (back right)

In 1999, Kaylie took her first class in Balinese gamelan and dance at Museum School in San Diego. It was a new charter school with a new vision: to incorporate music and other creative arts—seen as fundamental to child development—into the standard curriculum. The Museum School reached out to the Center for World Music (CWM) for help. It was the very first year of the CWM’s youth education program, World Music in the Schools, and the beginning of what would become some of the organization’s most rewarding work: matching accomplished and experienced teaching artists to residency programs within San Diego area K–12 schools.

Kaylie Kirby was in 5th grade when the Balinese gamelan program was initiated at Museum School, where she studied under I Nyoman Sumandhi (music) and Ni Putu Sutiati (dance), and later Alex Khalil (music) and Kaori Okado (dance). Training in music and dance was offered to students at Museum School, which at the time included 3rd through 6th grade. There was also an after-school program for intermediate and advanced students. Kaylie thrived in this program, taking lessons during school hours and participating in the after-school program during her years attending Museum School.

Kaylie with daughter

Upon graduation from 6th grade, Kaylie continued her involvement with the Museum School’s gamelan and dance program by attending weekly rehearsals after school. Alex and Kaori had created a performing group with the advanced students called Puspa Warsa, in which Kaylie had the opportunity to perform for numerous universities, festivals, and news stations all over Southern California for several years.

Throughout this time, she continued to assist with the intermediate students’ after-school program at Museum School. She also had the opportunity to study under other Balinese masters, including Dr. I Nyoman Wenten, renowned Balinese musician and dancer, at CalArts and UCLA. In 2018–19, she was a member of the Balinese gamelan anklung ensemble at the University of San Diego, directed by Dr. David Harnish. 

Fast forward to today: Kaylie is once again sharing her expertise and passion for Balinese arts as a teaching artist of the gamelan classes at Museum School! While she was a student there, Kaylie’s daughter had the opportunity to play alongside her mother as a member of this ensemble that has been going strong since 1999.

This is a true full-circle story that humbly reminds us that the work we do and have been doing for decades in the CWM’s World Music in the Schools program is valuable, important, and to many, life-changing.

Welcome back, Kaylie!

Kristina Cunningham: Teaching Ballet Folklorico in San Diego Schools

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The Center for World Music is thrilled to welcome Kristina Cunningham to the roster of talented teaching artists in our World Music in the Schools program. She is currently sharing the beauty of ballet folklorico with students at Monarch School, a program funded by the Jason Mraz and Macy’s Foundations.

Kristina is a first-generation American of Mexican descent. She first experienced ballet folklorico while attending a rehearsal at her neighborhood church in Barrio Logan at the age of three. Even then, she was mesmerized by the dancers, and soon began lessons with Ballet Folklorico de Nuestra Señora de Guadalupe. She continued studying and performing with this same troupe all through grade school. During college, Kristina expanded her repertoire by extensively studying West African dance, hip-hop, ballet, and modern dance.

Kristina Cunningham. Photo by Sue Brenner Photography.

Kristina is currently the Director of DanzArts Children’s Academy, a division of DanzArts, a non-profit dance school based in Liberty Station. She has also served as principal dancer for over 10 years with DanzArts Sabor Mexico Dance Co, where she has performed at Southern California venues including Copley Symphony Hall, Balboa Theater, and Cerritos Performing Arts Center. In addition, she performs annually with Grammy-nominated Mariachi Sol de Mexico. She continues to refine her craft by training with folklorico masters, including Joel Gutierrez, and attending master artist workshops such as Danzantes Unidos.

Kristina truly loves teaching dance to the youth in our community. Her own children are currently studying ballet folklorico and Spanish flamenco and she is proud to often have them share the stage with her.

Kristina brings decades of dance experience and expertise to San Diego school students through World Music in the Schools. The joy she brings to children’s faces as they learn ballet folklorico is unforgettable. Please help us welcome her to the Center for World Music.

Juan Carlos Blanco: Afro-Cuban Music and Dance

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The Center for World Music is delighted to profile World Music in the Schools teaching artist Juan Carlos Blanco.

Juan Carlos is an inspiring dancer/teacher whose creativity and knowledge is internationally noted. He is also a humble man and world class performer.

—Dolores Fisher, Educator, Blogger, Poet, Pianist

In his exuberant Afro-Cuban movement and music classes, Juan Carlos Blanco enjoys transmitting cultural knowledge of his ancestors through engaging community activities that focus energy and express joy. It’s hard not to have a smile on your face and a bounce in your step when visiting his classroom. At the same time, his teaching is not only about fun. Whether it’s dancing or drumming, for him it is also important to take the time to explain and convey historical and cultural context. This, he believes, allows students to gain a well-rounded appreciation of the new skills and art form(s) they are learning.

Juan Carlos was born and raised in Havana, Cuba, where he performed with several professional companies for over 15 years before coming to the U.S. In his youth, he began his performance career with the folkloric arts groups Cumballe and Oba Ilú in his hometown of Guanabacoa, a community of Havana known for its rich Afro-Cuban cultural traditions. He later joined one of Cuba’s most renowned folkloric companies, Raices Profundas (Deep Roots), soon becoming lead male dancer and soloist and touring Latin America and Asia.

Juan Carlos’s desire to deepen his knowledge and cultural expression inspired his involvement with several diverse art groups in Havana. He performed with Teatro de la Havana in a number of theatrical plays including “De Mi Tierra Vengo,” “Maria Antonia,” “Santa Camila de la Havana Vieja,” and “Requip por Yarini” with Arte Popular Theatre Company. He also spent several years working with the Franco-Haitian company Ban Rra Rrá as percussionist and instructor of Afro-Cuban dance.

While in Cuba, he was charged with the responsibility of training both professional Cuban dancers and educating foreign students through the Instituto Superior de Arte and the Escuela Nacional de Arte. He served as artistic director for the folkloric ensemble Arawe that toured Peru in 1997. He also choreographed several productions in Havana, including Afro-Peru, a collaboration with Peruvian singer Argelia Fragoso, and “Trilogia,” produced with Raices Profundas.

Since coming to the United States, Mr. Blanco has been featured in various Afro-Cuban productions in the California area, as dancer and guest choreographer for groups such as Olorun, Alafia, and Taifa. Most recently was the musical director for Onstage Playhouse’s 2021 production of “A People’s Cuban Christmas Tale.”

In 1998 Juan Carlos founded Omo Aché Cuban Cultural Arts, a San Diego-based organization dedicated to preserving and presenting Cuba’s rich cultural heritage of music and dance. With Mr. Blanco as its artistic director, the Omo Aché Afro-Cuban Music and Dance Company performs in schools, universities, and multi-cultural venues throughout California.

 

Juan Carlos Blanco in class at Integrity Charter School, National City, CA

 

Mr. Blanco has traveled throughout the United States teaching master workshops in Afro-Cuban percussion and dance. In the San Diego area, he has taught through community classes and institutions such as UCSD, Palomar College, Grossmont College, San Diego City College, and Cal State San Marcos. For many years, he has dedicated himself to teaching kindergarten through 8th-grade students at King-Chavez schools as well as students in the Sweetwater Union High School District. In Tijuana, Juan Carlos has also taught percussion and dance to elementary students at Escuela Primaria Miguel Guerrero, Primaria Guadalupe Victoria, and other schools through WorldBeat Center’s bi-national cultural exchange partnership program with I.M.A.C. (Instituto Municipal de Arte y Cultura). His students have presented their work at community celebrations and festivals throughout the region.

Currently, under the auspices of the CWM’s World Music in the Schools program, Juan Carlos is teaching a residency in Afro-Cuban dance at the San Diego French American School. We are proud to have him in our roster of distinguished teaching artists.

Enjoy this glimpse into Juan Carlos’s life as an artist, a rough cut of a documentary by Lili Bernard:

Laurel Grinnell-Wilson: Bringing Javanese Gamelan to San Diego Students

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The Center for World Music is delighted to profile World Music in the Schools teaching artist Laurel Grinnell-Wilson.

Laurel in the gamelan room at SDSU

Originally from Northern California, Laurel has been an avid musician since childhood. After exploring the piano, flute, and violin, she started on the drum set when she was 15, playing in her first band with her brother, San Diego bassist Justin Grinnell.

Laurel graduated from Sonoma State University, earning her BA cum laude in jazz performance studies. While teaching and working freelance for several years, she discovered a passion for world music, bringing together her love of anthropology and her love of music. She went on to earn her M.A. in ethnomusicology with honors at San Diego State University.

Laurel and son Cedar with Pak Djoko Walujo and his wife, Ibu Endang

Laurel has studied Balinese, Sundanese, and Javanese gamelan, performing in Indonesia and throughout Southern California. Since 2007, she has been training intensively under the guidance of renowned gamelan composer, performer, and teacher Djoko Walujo Wimboprasetyo. Laurel has also studied West African drumming, Senegalese kora, as well as Zimbabwean mbira and marimba. With a deep interest in the ways in which cultural-linguistic context and music inform each other, she continues to broaden her expertise in ethnomusicology. 

Currently, Laurel is a lecturer and director of the Javanese gamelan ensemble at San Diego State University. In her role as a World Music in the Schools teaching artist, she serves as assistant director of Canyon Crest Academy’s Javanese gamelan ensemble, supporting the director, her mentor and CWM master teaching artist Pak Djoko. In addition, she continues to perform as a freelance jazz artist and as percussionist for musical theater productions and the San Diego Women’s Choir. She has appeared with artists such as Allison Adams Tucker, Lori Bell, Steph Johnson, and Monette Marino.

When she’s not performing or teaching music, Laurel is a mother to two children and an artisan soap maker. 

Here’s a short YouTube clip of Laurel playing bonang barung with the SDSU Javanese gamelan, accompanying dancer Casey Lee Sims:

— Contributor Evan Ludington is a student at Canyon Crest Academy and an intern for the Center for World Music.