The agogô is an instrument used widely in West Africa, Brazil, and throughout the world. The name comes from ágogo (AH-go-go) meaning “double bell” in the tonal Yoruba language and is onomatopoeia for the two sounds it makes. In my classes for the Center for World Music we use the Afro-Brazilian agogô (ah-go-GO).
The agogô is a type of handbell similar to our cowbell. It has two or more bells attached to a handle and is played with a wooden stick. The bells can be made of metal, castanhas-do-Pará (Brazil nut shells), coconuts, gourds, wood, or large seeds. The agogô is found in a variety of Afro-Brazilian musical styles including maracatu, maculelê, batucada of the samba schools, afoxé, songs of capoeira, and more. It is used in ceremonies and rituals of the Afro-Brazilian religion Candomblé.
—Stefanie Schmitz, World Music in the Schools Teaching Artist
Agogôs in action on YouTube: Demo with Stefanie | A Four-Toner in Brazil | Brazil Nut Shell Agogô
More on Stefanie: StefanieSchmitz.net
Spotlight: Persian Classical Musician, Kourosh Taghavi
in CWM News, World Music in the Schools/by Lance NelsonSan Diego Participant Observer, March 12, 2015
Kourosh Taghavi, master of Persian classical music and pillar of the CWM’s World Music in the Schools program, is featured in an article by Amanda Kelly.
Read the full article here.
The San Diego Participant Observer is published online by the Worldview Project. It is a great source for keep up-to-date on cultural goings on in San Diego and environs. Thanks to Tom Johnston-O’Neill and the dedicated crew at the Worldview Project for their support of World Music in the Schools and other Center for World Music projects!
Where in the World is Matt? An Uplifting Video
in CWM News/by Lance NelsonA must-see video if you haven’t seen it; wonderful to watch again from time to time if you have. Not traditional music, but otherwise embodies very nicely the spirit of the Center for World Music’s mission . . .
See also Matt’s website.
Great Ted-Ed Video: How Playing Music Benefits Your Brain
in CWM News/by Lance NelsonHere’s an excellent (and cute!) Ted-Ed animated video on the benefits of playing musical instruments. Well-worth five minutes . . .
View at Ted-Ed.
Del Mar Heights Builds Awareness and Ability with World Music
in CWM News/by Lance NelsonDel Mar Times, February 8, 2015
A report on a thriving World Music in the Schools sponsored, artists-in-residence program at Del Mar Heights School, north of San Diego, which seeks to help children “become creative, expressive members of their communities.”
The program features several Center for World Music teaching artists (Koresh Taghvi is pictured above, with students). The Center’s World Music in the Schools program is funded, in part, by the National Endowment for the Arts and the California Arts Council.
Read the full story at DelMarTimes.net.
The Agogô: Yoruban “Double Bell”
in World Music Instruments/by Stefanie Schmitz
This article is one in a series of reports on the fascinating variety of musical instruments that audience members and students encounter through Center for World Music programs.
The agogô is an instrument used widely in West Africa, Brazil, and throughout the world. The name comes from ágogo (AH-go-go) meaning “double bell” in the tonal Yoruba language and is onomatopoeia for the two sounds it makes. In my classes for the Center for World Music we use the Afro-Brazilian agogô (ah-go-GO).
The agogô is a type of handbell similar to our cowbell. It has two or more bells attached to a handle and is played with a wooden stick. The bells can be made of metal, castanhas-do-Pará (Brazil nut shells), coconuts, gourds, wood, or large seeds. The agogô is found in a variety of Afro-Brazilian musical styles including maracatu, maculelê, batucada of the samba schools, afoxé, songs of capoeira, and more. It is used in ceremonies and rituals of the Afro-Brazilian religion Candomblé.
—Stefanie Schmitz, World Music in the Schools Teaching Artist
Agogôs in action on YouTube: Demo with Stefanie | A Four-Toner in Brazil | Brazil Nut Shell Agogô
More on Stefanie: StefanieSchmitz.net
What Childhood Piano Lessons Did to You
in CWM News/by Lance NelsonMore news about the developmental benefits of music education for children . . .
Read at Mic.com.
Balkan Echoes: Voices, Images, and Recordings from Bulgaria and Macedonia
in CWM News/by Lance NelsonMartin Koenig, a good friend of the CWM, has spearheaded an extraordinary project to document disappearing music and dance cultures of the Balkans. His efforts are coming to fruition in the form of recordings (in partnership with Smithsonian Folkways), a book, and exquisite fine-art photographs. Very much worth the attention of lovers of traditional performing arts . . .
Browse to Balkan Echoes.com for a look at the photos and book.
California Public Schools Get Creative to Save Arts Programs
in CWM News/by Lance NelsonThe plight of arts programs in California public schools, and its impact on children, was featured in the NBC Nightly News for December 17. The segment shows how Takio drumming–supported by community-based funding–helps to fill the gap in a San Francisco-area school.
View at NBC Nightly News.
Worth a look, and some thought: would you consider taking a minute to support this kind of creative effort in San Diego?
Active Participation in Music Education Improves Academic Performance
in CWM News/by Lance NelsonAnother good read on the value of music education, noting that the benefits are dependent on learning to play music, not just appreciate it . . .
Read more at MedicalDaily.com.
How Hema Ramaswamy Found Healing Through Traditional Indian Dance
in CWM News/by Lance NelsonIn a report that may be of special interest to parents of children in our World Music in the Schools program, National Public Radio recently featured a story of healing through practice of Bharata Natyam, the traditional dance of South India . . .
Listen to, and read, the story on NPR